My Anthology of Magnificence
Robert Pinsky in his book Singing School says that there is no substitute for study, not dabbling nor doing short courses. He suggests that:
Rather than prescribing a list of poems/poets/genres, Pinsky places you, the neophyte poet, in the decision making chair, encouraging you to seek out poems that you think are magnificent, to study and read them closely, create an anthology of personal magnificence and significance.
This page will house my online Anthology of Magnificence, for both myself and my readers benefit and ease of use:
If you want to learn singing, you must study—not just peruse or experience or dabble in or enjoy or take a course in, but study—monumental examples of magnificent singing: study not just a pretty good poem in a recent magazine, or something that seems cool or seems to be in fashion, or that you have been taught in school, but examples that you feel are magnificent. “Magni-ficent”: the Latin roots of the word mean “making great".
Rather than prescribing a list of poems/poets/genres, Pinsky places you, the neophyte poet, in the decision making chair, encouraging you to seek out poems that you think are magnificent, to study and read them closely, create an anthology of personal magnificence and significance.
This page will house my online Anthology of Magnificence, for both myself and my readers benefit and ease of use:
- Mandy Coe's, When We Found Flowers Could Speak
- Helen Mort's, Fox Miles. (link will take you to her poetry archive page)
- Seamus Heaney's Digging.
- Thom Gunn's The Hug.
- Anthony Lawrence's Three Men.
- Philip Hodgins', Shooting the Dogs
- Norman MacCaig's Ineducable me
- Liz Berry's When I Was A Boy
- Felicity Plunkett's, Lost Sea Voices
- Kenneth Slessor's Crow Country
- Sian Hughes' The Sacking Offence
- Caroline Bird's A Love Song
- Sean O'Brien's Sunday in a Station of the Metro
- Clive James' Japanese Maple
- Gillian Clarke's Family House
- Maria Takolander's Hotel Room
- Eileen Chnong's Ritual
- Beth Spencer's Leaving this House
- Sarah Day Hierophant
- JV Cunningham Perfect Imperfection
- Ouyang Yu New Accents
- Robert Frost Acquainted with the Night
- John Burnside Insomnia in Southern Illinois
- Robert Gray, A Northern Town
- Paula Meehan, Single Room with a Bath, Edinburgh
- Glyn Maxwell, Old Smile at the Roast
- Kay Ryan, A Certain Kind of Eden
- Carol Ann Duffy, Anne Hathaway
- Chase Twichell, To the Reader: If You Asked Me
- Geoff Page, Smalltown Memorials
- Paul Muldoon Why Brownlee Left
- Howard Nemerov, The Consent ,
- Rosemarie Waldrop Like Holderlin
- Michael Lista The Scarborough Grace
- Katrina Roberts Guns
- Katrina Roberts, Blue
- Katrina Roberts Estuary
- Jane Hirshfield. To Judgement: An Assay
- Alison Whittaker Scrag Lit
- Lorraine Mariner Factory
- Alex Skovron, Cyril and the Snails
- Robert Adamson Sugarloaf Bay, Middle Harbour
- Esther Morgan, This Morning
- LK Holt's Playhouse
- Sarah Howe's Night in Arizona
- Kate Clanchy's Miscarriage, Midwinter
- Billy Collins' Another Reason Why I Don’t Keep a Gun in the House
- Dennis Greene's Wheat Field
- Jane Clarke's Every Life
- Jane Clarke's The Suck
- Fiona Wright's Almost Aubade, Melbourne
- Richard Hugo's Mill at Romesdal
- Richard Hugo's In Stafford Country
- William E Stafford The Farm on the Great Plain
- Richard Hugo's Back of Gino's Place
- John Brehm's, When My Car Broke Down.
- Kathyrn Hummel's Last Drinks Adelaide II
- David Brook's, Broad Bean Meditation.
- Les Murray's Broad Bean Sermon
- Brian Johnstone's, Tobacco Road
- Claire Askew's, Spitfires
- Lisa Brockwell's Blackout
- Stuart Barnes', Ebon cans
- JV Birch's, Leaving
- PS Cottier's, The unpleasant poet elf
- Rin Ishigaki's Moving On
- Naomi Shihab Nye's, The Books We Haven't Touched in Years
- Kim Moore's Picnic at Stickle Pike.
- Billy Marshall Stoneking's, One Last Poem.
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